Post Break-Up Drive Home

The gearstick your lance

I am wounded by forced silence

Hanging between our fingers

And nestled within the static 

Of a Radio Four documentary

Unremarkable stretch

Of grey-blue blurs 

Interspersed with coughing saplings

Struggling in their plaster casts 

The miles tick downwards

My chest balloons with relief 

Sweaty fingers fumble with the dials 

Is there a station to drown out your resentment? 

Deep lidded glares, caught in the musty smell eminating from

Under my seat 

Thoughts

People always tell you to 'write what you know' and it's incredible how many great works of literature have been influenced by the author's background and experiences. I struggle to write prose and I think it's that Dorian Grey argument, sometimes you can't share things that have too much of yourself in them, sometimes art is the outlet for which one can best represent oneself.

It's then interesting to consider why somebody wouldn't want to share that, why we're not all Walt Whitmans - celebrating ourselves, our lives and our achievements, Writers in general are either egoists or painfully introspective and analytical, which makes perfect sense when you consider the complex nature of some of the thoughts and emotions that they inject into their characters. How would suspension of disbelief prove possible if those thoughts and emotions had not been experienced first-hand?

The nature of the craftsmanship of literature is something that shouldn't be overlooked, it's so easy to become immersed in a story that flows so seamlessly and appears to have been condensed in a single moment of inspiration. Honestly, there's so much painful re-drafting that goes on and nobody no matter how skilled they are, can write flawlessly first time. Hours of time, hundreds of cups of coffee and reams of paper goes in to writing a book worthy of publication. Sometimes the finished product isn't the part that deserves the most appreciation.

2 minute writing exercise - 9:48pm

We weren't prepared for when Adonis would fall

And black ice would encumber every journey

When our apex sighed into itself

And tried to curl around a wisp of smoke

Left to smoulder in the empty fruit bowl

Of our golden kitchen-top heydays

2 minute poem at the train station.

Uniformity reigned

Over cracked concrete slabs

Buried cigarette butts, scraps of

Gum wrappers, made home in its mercy

Its bleary eyed subjects emerged

Sheep shorn of their sides

And backs, shuffling as though it were

The Great Yorkshire Show

Or some such lark. 

*** I haven't written prose for years but I found a scrap of paper in my desk drawer with the opening two sentences on and I felt really inspired ***

...And all that happened was that it imminently dawned upon me that you can't find solace in a single person, nor can you seek completion in something as incomplete as yourself. The metallic bite of this statement lingered in my mouth as I lay, defeated.

That had been the whole point of this adventure; discovery of self, self-sufficiency etc etc etc until I begin to sound like an upper-class art student who is "just so damn oppressed by this capitalist haven". But, with only twenty dollars left in my battered jeans, I realised that I'd spent a stupid amount of money pretending I was Jack Kerouac, forgetting in my excitement that my life was not a novel.

I laughed to recall the lonely motel nights, surfing the web for cool things to do in whatever city I'd happened to end up in, then sighing and watching a straight-to-DVD movie, trying to find poetic meaning in the static of the cable channel. Trying to avoid my own company as the walls stared back, blank with apathy and the sunlight reluctantly crept in, worrying that it had disturbed the perfect "woe-is-me" cliché that I had created.

For alas, no police stations did I sit tempestuously in, cold coffee and panda eyes. No buses did I flirt my way onto for free. I learned a lot about independence... I'm grateful to myself for that, but I also learned that as much as you may want to, you cannot crawl back inside yourself to escape from the ghosts that hide in the canvas metropolis of your soul. I discovered that I wasn't trying to find myself at all, I was trying to lose myself amongst neon glares and catcalls and kamikaze bars... I almost succeeded.

However. When I least expected it, feeling the epitome of smug liberation, the essence of who I am would creep back to me across sticky nightclub floors. The least gentle reminder of the jigsaw puzzle pieces I had strewn from bar to flat to cab to park. The "burnt-coffee" smell of realisation that I was actually just as dependent, flawed and insecure as everybody else who pretended they were ok being alone. But that's fine.

When your plans with friends turn to shit - UNFINISHED

We pass through dusk, nonchalant shoulders tilted
Too soon, the colour drains from the street
Extremist pamphlets reign upon your shutters
The house longs for new friends.

The night makes the floorboards creak.
Anticipating, we turn to dust
Whilst the ghost face of the wind
Meets our rattling window panes

We become ash-grey
Skin bouncing off moonlight
Radiating hollowed eyes and hair,
Transformed into a mass of sleeplessness curls.

And so we sit, 2am
Devoured by expectation
Drinking tea
Listening to the flicker
Of black and white film